期刊名称：Revista de Dialectología y Tradiciones Populares
印刷版ISSN：1988-8457
出版年度：2013
卷号：68
期号：2
页码：445-467
DOI：10.3989/rdtp.2013.02.018
语种：Spanish
出版社：Consejo Superior de Investigaciones Científicas
摘要：Artists, fans and researchers of flamenco have the widespread idea that gypsy blacksmith´s trades have constituted, from ancient, mythical places where gypsy tradition would have remained pure, and that we even could find there the embryo of what later will be known as flamenco. On the other hand, the gypsy blacksmith’s trades have been associated to a specific and exclusive style of song, called martinetes , which supposedly were performed with the rhythm of the hammering on the anvil. This article dismantles both topics, studies the ambivalent role and status of gypsy blacksmiths, analyses historical sources that deal with that job between gypsies, takes in consideration testimonies that recreate scenes of music in the iron-works, and reviews what we know about martinetes . The text allows understanding the real dimension of the gypsy blacksmiths in Andalusia, and discovers the role that they have played in gestation and development of flamenco .
