摘要：In this work the author delves into issues that involve, in Brazil, the concepts of Traditional Harmony, Functional Harmony and voice leading, and investigates, based on arranging reference manuals, the topic of sectional harmony applied to popular music arrangements. He also presents an overview of the consequences felt in the current teaching of Harmony due to diverse concepts existing in each stream.
其他摘要：In this work the author delves into issues that involve, in Brazil, the concepts of Traditional Harmony, Functional Harmony and voice leading, and investigates, based on arranging reference manuals, the topic of sectional harmony applied to popular music arrangements. He also presents an overview of the consequences felt in the current teaching of Harmony due to diverse concepts existing in each stream.
