摘要：In this essay, I seek to present the central aspects of an approach specific to the field of Social Psychology by relating Social Representations to ontological questions in music. The aim is to demonstrate that musical objects are objects of social representation which can be understood as social products reflecting their own conditions of production. These objects also reflect processes of social and psychological elaboration of the reality in which people live, interact and negotiate the distance separating them from one another.
其他摘要：In this essay, I seek to present the central aspects of an approach specific to the field of Social Psychology by relating Social Representations to ontological questions in music. The aim is to demonstrate that musical objects are objects of social representation which can be understood as social products reflecting their own conditions of production. These objects also reflect processes of social and psychological elaboration of the reality in which people live, interact and negotiate the distance separating them from one another.
