出版社：Centro de Estudios en Cultura y Política (CECYP)
摘要：Normal 0 21 false false false MicrosoftInternetExplorer4 st1\:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman"; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;} With the exception of Hollywood films, there has been no more intense point of cultural contact between Argentina and the United States than boxing. This article considers two intertwined topics. The first is the construction of the imagery of Argentine boxers in the United States and the varieties of Argentine boxers’ immigrant experience in North America. Second, this article will argue that the presence of Argentine boxers in the United States forged a sense in Argentina that the former were leading actors on the American boxing scene. This, in turn, shaped Argentine boxing cultures and self images.
其他摘要：With the exception of Hollywood films, there has been no more intense point of cultural contact between Argentina and the United States than boxing. This article considers two intertwined topics. The first is the construction of the imagery of Argentine boxers in the United States and the varieties of Argentine boxers’ immigrant experience in North America. Second, this article will argue that the presence of Argentine boxers in the United States forged a sense in Argentina that the former were leading actors on the American boxing scene. This, in turn, shaped Argentine boxing cultures and self images.
