出版社：Centro Studi Arti della Modernità | Università degli Studi di Torino
摘要：The essay examines Beckett’s affiliation with the concept of lateness and lastness and it offers an original reading of What Where by focusing on its enigmatic opening line “we are the last five”.In te light of Beckett's “rip word” Beckett’s figures appears as “post-human to the extent that they are posthumous, in the etymological sense of last, or of coming after (from posterus, posterior).
