出版社：Centro de Pesquisa e Documentação de História Contemporânea do Brasil
摘要：The article examines American Indian cultural resistance as expressed in the "conquest dances" represented today in their lands: Peru, Bolivia, Mexico and Guatemala. It brings to life the visible trauma of these displays, recognised as a phenomenon to be faced over a long period, but at the same time seeks to the "dances" in the context of the current-day picture of the oppressed indigenous peoples in the Americas. This is archieved by using the concept of cultural circularity.
其他摘要：The article examines American Indian cultural resistance as expressed in the "conquest dances" represented today in their lands: Peru, Bolivia, Mexico and Guatemala. It brings to life the visible trauma of these displays, recognised as a phenomenon to be faced over a long period, but at the same time seeks to the "dances" in the context of the current-day picture of the oppressed indigenous peoples in the Americas. This is archieved by using the concept of cultural circularity.
