出版社：Centro de Pesquisa e Documentação de História Contemporânea do Brasil
摘要：The film Tudo azul (1951), directed by Moacyr Fenelon, was part of a national-popular cinema project, backed by leftist filmmakers, in an attempt to articulate social criticism in a light-hearted manner. In recounting the anguish of Ananias, a minor official, unknown composer and father of several children who works at an insurance company but dreams of becoming a famous songwriter, Tudo azul represents an attempt to combine elements of carnivalesque slapstick and melodrama from a realistic perspective.
其他摘要：The film Tudo azul (1951), directed by Moacyr Fenelon, was part of a national-popular cinema project, backed by leftist filmmakers, in an attempt to articulate social criticism in a light-hearted manner. In recounting the anguish of Ananias, a minor official, unknown composer and father of several children who works at an insurance company but dreams of becoming a famous songwriter, Tudo azul represents an attempt to combine elements of carnivalesque slapstick and melodrama from a realistic perspective.
关键词：history and cinema: Brazil;cinema and popular music;história e cinema: Brasil;cinema e música popular
其他关键词：history and cinema: Brazil; cinema and popular music
