摘要：This paper examines the concept of the artwork in this last phase of Jaci Maraschin academic production. From the papers collected in The (im)possibility of expression of the sacred , we seek to point to in what extent the assertion of the autonomy of the artwork represents the remnants of the modern concepts in the thought of Maraschin, including the self-reflexivity of the artwork as a way to maintain the specificity of the sacred against the calculative rationality
