期刊名称：HeLix - Dossiers zur romanischen Literaturwissenschaft
印刷版ISSN：2191-642X
出版年度：2010
卷号：3
页码：53-67
DOI：10.11588/helix.2010.0.7325
语种：German
出版社：HeLix - Dossiers zur romanischen Literaturwissenschaft
摘要：Normal 0 21 false false false DE X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Many of Miguel de Unamuno’s works probe the nature of reality and its boundaries within texts. This preoccupation with the control an author holds or loses over a text provides ample material for a deeper understanding of the complex prologic structure of his novel Niebla , including its various epitexts. This article contextualizes the ways in which the author approaches the reader and the positions that author and reader gain and switch regarding the medium. As the article shows, not only is it clear that the prologues are an integral part of the metafictional construct that Niebla is, but they are also apparent solutions that help explain the contradictions created when the authorship of the prologues turns out not to withstand the complexity of Unamuno's metafictional creation as a whole.
关键词：Miguel de Unamuno;Victor Goti;Niebla;Metafiktion;metafiction; Prolog;prologue; Autor;author;Leser;reader;auktoriale Instanz;authorial entity
