期刊名称：HeLix - Dossiers zur romanischen Literaturwissenschaft
印刷版ISSN：2191-642X
出版年度：2009
卷号：1
页码：52-75
DOI：10.11588/helix.2009.0.465
语种：French
出版社：HeLix - Dossiers zur romanischen Literaturwissenschaft
摘要：Normal 0 21 false false false DE X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} Atys , one of Jean-Baptiste Lully’s operas (libretto by Philippe Quinault) that experienced a sort of revival stemming from the Arts Florissants’ production in 1987, is typically taken by scholars and spectators as the representative example of its genre, the so-called “tragédie en musique.” This article analyzes the presence of the monster and monstrosity in act five from a literary point of view, elements regarded traditionally as incompatible with the aesthetics of French classicism. It is, however, possible to come to a “baroque” re-interpretation of Atys , bearing in mind the myth-based plot of this opera which features not only Foucault’s “monster” par excellence of the Grand Siècle , i.e., the hermaphrodite, but also includes the monstre sacré of Italian opera, the castrato.
关键词：Jean-Baptiste Lully (Lulli);Philippe Quinault;Atys;tragédie en musique;tragédie lyrique;French opera;monster;monstrosity;hermaphroditism;castration;castrato;haute-contre;classicism;baroque
