期刊名称：HeLix - Dossiers zur romanischen Literaturwissenschaft
印刷版ISSN：2191-642X
出版年度：2010
卷号：3
页码：1-21
DOI：10.11588/helix.2010.0.7328
语种：German
出版社：HeLix - Dossiers zur romanischen Literaturwissenschaft
摘要：Although the word melancholy and the name of the Roman god Saturn are never explicitly mentioned in Guillermo del Toro’s Pan’s Labyrinth (2006), the film makes many visual and auditory references to them. This article shows and analyzes these iconographic references, i.e., the motifs and symbols that allude to this temperament and god in the film, and offers an interpretation of them in this new context. In order to do so, we will take into account some of the categories proposed by Klibansky, Panofsky and Saxl (1992) in their analysis of the copperplate engraving Melancolia I (1514) of the German Renaissance artist Albrecht Dürer and add some relevant ones.
关键词：Pan's Labyrinth;Guillermo del Toro;Melancholy;Saturn;Erwin Panofsky;Symbolism;Francisco de Goya;Spanish Civil War;Cinema and Painting;Intermediality
