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  • 标题:REPRESENTASI DESA DALAM FILM-TARI “DONGENG DARI DIRAH” Analisis Semiotika Barthesian
  • 本地全文:下载
  • 作者:Hudoyo, Sapto
  • 期刊名称:Capture
  • 印刷版ISSN:2338-428X
  • 出版年度:2011
  • 卷号:3
  • 期号:1
  • 页码:29-40
  • 出版社:ISI Surakarta
  • 摘要:Film is a collaborative work that combines multiple art forms.Every form of art donatesrespective roles and supports each other.Film is created as a means of communicationvia meaningful visual language and affirmed-narrative.A film raises aesthetic values andmeaning by offering interpretation from its audience.The story telling throughchoreography on the step of post-production (editing) will bring new meaning, it makesa dance film more superior than the performances of casual dance.Dance has becomea means of creating a depth of meaning on purpose to be conveyed.By using a semiotictheory, a “Socerres From Dirah” dance film which has rural setting can be perceivedthrough culture and religion of rural communities.Of the signs systems (signifier/expression and signified/contents), it has obtained connotative meaning of the effort,praying and expression of excitement for all the work done by rural communities inmaking a living for his family.
  • 关键词:setting; makeup; costume; Opera Van Java; Misteri Pesona Sinden
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