期刊名称：Nómadas. Revista Crítica de Ciencias Sociales y Jurídicas
印刷版ISSN：1578-6730
出版年度：2011
卷号：31
期号：3
页码：277-298
DOI：10.5209/rev_NOMA.2011.v31.n3.36821
语种：Spanish
出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：This paper studies a transitional period of music located between the 1920 and 1940. But not as an end in itself, but to dive into the musical philosophy of Theodor Adorno, the author who lived immersed in late capitalist societies, context without which none of his work can be understood. Adorno´s aesthetics stresses that art should have its own purpose and, at a time, one aim of the social order of need, this is their dual nature which prevents analyzing the work of art only in its immanence. From this perspective, try to answer the following questions: ¿What is the relationship between music and society? ¿Are there political effects generated by the music? And finally ¿what are the critical potential that involve music?
其他摘要：This paper studies a transitional period of music located between the 1920 and 1940. But not as an end in itself, but to dive into the musical philosophy of Theodor Adorno, the author who lived immersed in late capitalist societies, context without which none of his work can be understood. Adorno´s aesthetics stresses that art should have its own purpose and, at a time, one aim of the social order of need, this is their dual nature which prevents analyzing the work of art only in its immanence. From this perspective, try to answer the following questions: ¿What is the relationship between music and society? ¿Are there political effects generated by the music? And finally ¿what are the critical potential that involve music?
关键词：Theodor W. Adorno;aesthetic theory;music;late capitalism;Theodor W. Adorno;teoría estética;música;capitalismo tardío
其他关键词：Theodor W. Adorno; aesthetic theory; music; late capitalism
