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  • 标题:Un acercamiento al cine musical japonés contemporáneo. Particularidades estéticas y narrativas de La felicidad de los Katakuri, Princess Raccoon y Memories of Matsuko.
  • 本地全文:下载
  • 作者:Ana Mª Caro Oca ; Francisco J. López Rodríguez
  • 期刊名称:Área Abierta
  • 电子版ISSN:1578-8393
  • 出版年度:2012
  • 卷号:12
  • 期号:1
  • 页码:5
  • DOI:10.5209/rev_ARAB.2012.v31.38971
  • 语种:Spanish
  • 出版社:Servicio de Publicaciones de la Universidad Complutense
  • 摘要:Although the musical film can be considered as a typically American genre, many cinematographies from all over the world have dealt with this type of films. As a result, the features of the musical films from Hollywood have evolved and been reinterpreted. This article reflects on the contemporary Japanese musical film through the in-depth analysis of the aesthetic and narrative characteristics of three recent productions: The happiness of the Katakuris, Princess Raccoon and Memories of Matsuko. We will study the semantic and syntactic components of this genre, along with other aesthetic and discursive elements in order to understand the contemporary Japanese musical film and place it within the global context of that genre.
  • 其他摘要:Although the musical film can be considered as a typically American genre, many cinematographies from all over the world have dealt with this type of films. As a result, the features of the musical films from Hollywood have evolved and been reinterpreted. This article reflects on the contemporary Japanese musical film through the in-depth analysis of the aesthetic and narrative characteristics of three recent productions: The happiness of the Katakuris, Princess Raccoon and Memories of Matsuko. We will study the semantic and syntactic components of this genre, along with other aesthetic and discursive elements in order to understand the contemporary Japanese musical film and place it within the global context of that genre.
  • 关键词:cine japonés;cine musical;género cinematográfico;hibridación;autoreferencialidad.
  • 其他关键词:Japanese cinema;musical film;genre;hybridization;self-referenceness
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