摘要：The text analyses as body, party and the ludic way are projected in the canvas that picture of the plastic artistic Lilia Lobo and how her art represent the culture of Maringá city, in Brazil. Based in the iconology method, the aim of study is to present pictures that show the culture of this city, notably, those that represent the parties. The data show the culture of Maringá materialized on the canvas, highlighted in details that express a ludic body located in its own festivity field. The research show to need to contribute for the diffusion/valorization of artists that turned forgotten and that produce important iconografic document of the culture city.
其他摘要：The text analyses as body, party and the ludic way are projected in the canvas that picture of the plastic artistic Lilia Lobo and how her art represent the culture of Maringá city, in Brazil. Based in the iconology method, the aim of study is to present pictures that show the culture of this city, notably, those that represent the parties. The data show the culture of Maringá materialized on the canvas, highlighted in details that express a ludic body located in its own festivity field. The research show to need to contribute for the diffusion/valorization of artists that turned forgotten and that produce important iconografic document of the culture city.
