摘要：Based on Robert Chartier’s discussions on textual materiality, this study intends to question the relations between filmic text and the materiality of its media, both film and television, considering their different devices from the same analytical perspective. Besides Chartier’s ideas, we will also discuss works by Robert Stam, Santos Zuzunegui and Jean-Louis Baudry.
其他摘要：Based on Robert Chartier’s discussions on textual materiality, this study intends to question the relations between filmic text and the materiality of its media, both film and television, considering their different devices from the same analytical perspective. Besides Chartier’s ideas, we will also discuss works by Robert Stam, Santos Zuzunegui and Jean-Louis Baudry.
