摘要：The article focuses on the significance that the figural order of discourse, especially by means of syllepsis, has in Kant’s Critique. We follow as a thread the internal aporetic of Kant’s Writings, which the Kantian scholar Gérard Lebrun examined in different articles, in order to outline the reach of what the article displays as a Rhetoric within the limits of mere Reason. This work proposes to contribute to the clarification of the reciprocal dependence between the progress of the self-knowledge process of reason and the formation of rhetorical figures — not only based on the discovery of analogies — which form also part of Kantian theory of objectivity.
其他摘要：The article focuses on the significance that the figural order of discourse, especially by means of syllepsis, has in Kant’s Critique. We follow as a thread the internal aporetic of Kant’s Writings, which the Kantian scholar Gérard Lebrun examined in different articles, in order to outline the reach of what the article displays as a Rhetoric within the limits of mere Reason. This work proposes to contribute to the clarification of the reciprocal dependence between the progress of the self-knowledge process of reason and the formation of rhetorical figures — not only based on the discovery of analogies — which form also part of Kantian theory of objectivity.
