出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：This paper examines the application of the techniques of impressionism to the cinematographic work of Jean Renoir. It is not just a question of influence of the parent-child relationship between the author and his father, Jean Renoir has a premeditated intention to translate the impressionism techniques to the movies. The research is based on the analysis of the cinematographic work of Jean Renoir, with special reference to Une partie de campagne (1936).
其他摘要：This paper examines the application of the techniques of impressionism to the cinematographic work of Jean Renoir. It is not just a question of influence of the parent-child relationship between the author and his father, Jean Renoir has a premeditated intention to translate the impressionism techniques to the movies.The research is based on the analysis of the cinematographic work of Jean Renoir, with special reference to Une partie de campagne (1936).
