出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：In this paper we analyze the relationship between art and politics through the poetics of the artist Edgardo Antonio Vigo in a time artistic and politically convulsed: the 1960s and 1970s. Rather than to a link in which the political context determines and frames art’s politicity, we appeal to an interpretation in which that connection is multiple, complex and unstable, building a weave. In order to do that we analyze three zones of his work − visual poetry, actions in public space and the use of legal language in his works − since we consider they make it possible to interpret central aspects of his political poetics.
其他摘要：In this paper we analyze the relationship between art and politics through the poetics of the artist Edgardo Antonio Vigo in a time artistic and politically convulsed: the 1960s and 1970s. Rather than to a link in which the political context determines and frames art’s politicity, we appeal to an interpretation in which that connection is multiple, complex and unstable, building a weave. In order to do that we analyze three zones of his work − visual poetry, actions in public space and the use of legal language in his works − since we consider they make it possible to interpret central aspects of his political poetics.
