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  • 标题:Accesibilidad e inclusión en espacios de arte: ¿cómo materializar la utopía?
  • 本地全文:下载
  • 作者:Luisa María Gómez del Águila
  • 期刊名称:Arte, Individuo y Sociedad
  • 印刷版ISSN:1131-5598
  • 电子版ISSN:1988-2408
  • 出版年度:2012
  • 卷号:24
  • 期号:1
  • 页码:77-90
  • DOI:10.5209/rev_ARIS.2012.v24.n1.38044
  • 语种:Spanish
  • 出版社:Servicio de Publicaciones de la Universidad Complutense
  • 摘要:Under a range of national and international laws, the right to access the medium is starting to be recognized since both World Wars and the proclamation of the Normalization Principle in the sixties. Despite the decades elapsed, the collective imagination continues reducing it to physical and sensory accessibility and ignores other essential aspects, only considered among specialist. At the same time, institutional interventions promote changes in the physical medium or in the channels of communication, but ignore fundamental questions -like conceptual accessibility- particularly significant in cultural contexts. The situation is exacerbated in spaces dedicated to art, where the world of meanings (that make us humans) takes special relevance. The circle is closed by a lack of a body of knowledge about the question, the bibliographic dispersion and the meagre attention that specialist literature gives to cognitive barriers. This article presents a wider conception of barriers that take part in exclusion. It addresses conceptualaccessibility and proposes a basic model for future interventions that can capture coherently the differentaspects that affect inclusion in art spaces.
  • 其他摘要:Under a range of national and international laws, the right to access the medium is starting to be recognized since both World Wars and the proclamation of the Normalization Principle in the sixties. Despite the decades elapsed, the collective imagination continues reducing it to physical and sensory accessibility and ignores other essential aspects, only considered among specialist.At the same time, institutional interventions promote changes in the physical medium or in the channels of communication, but ignore fundamental questions -like conceptual accessibility- particularly significant in cultural contexts. The situation is exacerbated in spaces dedicated to art, where the world of meanings (that make us humans) takes special relevance. The circle is closed by a lack of a body of knowledge about the question, the bibliographic dispersion and the meagre attention that specialist literature gives to cognitive barriers.This article presents a wider conception of barriers that take part in exclusion. It addresses conceptualaccessibility and proposes a basic model for future interventions that can capture coherently the differentaspects that affect inclusion in art spaces.
  • 关键词:Arte e inclusión;proyectos de inclusión;accesibilidad;barreras físicas;sensoriales;cognitivas y sociales
  • 其他关键词:Arts and inclusion;inclusion projects;accessibility;barriers physical;sensory;cognitive and social
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