出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：With Marías’ conceptual diagram about metaphysical installation, it is possible another interpretation of the Sebastián Ferrón’s life, as an unequal fight with his circumstance. It tourns the novel into a social denunciation of Spanish postwar society. Some interpretations for Aún es de día in the Delibes’ narrative consider this novel only as a tentative. However, this study sets it out a new place as a transition novel for its themes. Although its formal faults, Delibes outlines the majority of his literary preoccupations, next to Julián Marías’ metaphisycal anthropology (from Ortega y Gasset’s vital reason), not to French Christian existentialism.
其他摘要：With Marías’ conceptual diagram about metaphysical installation, it is possible another interpretation of the Sebastián Ferrón’s life, as an unequal fight with his circumstance. It tourns the novel into a social denunciation of Spanish postwar society. Some interpretations for Aún es de día in the Delibes’ narrative consider this novel only as a tentative. However, this study sets it out a new place as a transition novel for its themes. Although its formal faults, Delibes outlines the majority of his literary preoccupations, next to Julián Marías’ metaphisycal anthropology (from Ortega y Gasset’s vital reason), not to French Christian existentialism.
