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  • 标题:Volver a la esencia del cine. Hacia una revisión de sus formas expresivas
  • 本地全文:下载
  • 作者:Mercedes Miguel Borrás
  • 期刊名称:Historia y Comunicación Social
  • 印刷版ISSN:1137-0734
  • 电子版ISSN:1988-3056
  • 出版年度:2013
  • 卷号:18
  • 期号:0
  • 页码:33-48
  • DOI:10.5209/rev_HICS.2013.v18.43946
  • 语种:Spanish
  • 出版社:Servicio de Publicaciones de la Universidad Complutense
  • 摘要:The rapid change in the media is clamoring for a rethinking of the expressive forms -which do not travel as fast as technically- with which reality is part of the representation. To deprive the film of artifice, can cause a greater approach to its purity? We explore the concept of Realism; we study the first theorics interested in finding the parameters that give the cinema its essence. This allows us to understand and address its expressive substance to near us to the poetic which is inside in the own nature of the cinematographic discourse
  • 其他摘要:The rapid change in the media is clamoring for a rethinking of the expressive forms -which do not travel as fast as technically- with which reality is part of the representation. To deprive the film of artifice, can cause a greater approach to its purity? We explore the concept of Realism; we study the first theorics interested in finding the parameters that give the cinema its essence. This allows us to understand and address its expressive substance to near us to the poetic which is inside in the own nature of the cinematographic discourse
  • 关键词:Essence of cinema;Scriptures realistic;Film and reality;Nature poetic cinema.;Esencia del cine;Escrituras realistas;Cine y realidad;Naturaleza poética del cine.
  • 其他关键词:Essence of cinema; Scriptures realistic; Film and reality; Nature poetic cinema.
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