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  • 标题:El cine como realización del fin del arte
  • 本地全文:下载
  • 作者:Juan Carlos Arias Herrera
  • 期刊名称:Signo y Pensamiento
  • 印刷版ISSN:2027-2731
  • 出版年度:2006
  • 卷号:25
  • 期号:49
  • 页码:100-111
  • 语种:Spanish
  • 出版社:Pontificia Universidad Javeriana - Facultad de Comunicación y Lenguaje
  • 摘要:Many have asserted that the ideal of art, defended by modernism, has reached its end. The story founded by modern art does not apply any more to certain contemporary practices, something that has led to think that, beyond the necessity of a new story involving art in its diverse manifestations, what has to be acknowledged is the end of narratives as stories and the incapacity to produce a new narrative to replace the modern scheme to include one legitimating the shape of art pieces produced today. This new purpose of narratives is the one we can understand, following Arthur Danto, as the ‘purpose of art’, a concept that designates the moving from modern art to contemporary art. The goal of this essay is to understand the place occupied by the cinema within this transition – actually more a conceptual than a chronological transition– analyzing the notions of purity and impurity of art.
  • 其他摘要:Many have asserted that the ideal of art, defended by modernism, has reached its end. The story founded by modern art does not apply any more to certain contemporary practices, something that has led to think that, beyond the necessity of a new story involving art in its diverse manifestations, what has to be acknowledged is the end of narratives as stories and the incapacity to produce a new narrative to replace the modern scheme to include one legitimating the shape of art pieces produced today. This new purpose of narratives is the one we can understand, following Arthur Danto, as the ‘purpose of art’, a concept that designates the moving from modern art to contemporary art. The goal of this essay is to understand the place occupied by the cinema within this transition – actually more a conceptual than a chronological transition– analyzing the notions of purity and impurity of art.
  • 关键词:The theory of moving pictures, modern art, contemporary art, art purity and impurity, purpose of art.;Teoría del cine;Arte moderno;Arte contemporáneo
  • 其他关键词:The theory of moving pictures; modern art; contemporary art; art purity and impurity; purpose of art.
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