出版社：Pontificia Universidad Javeriana - Facultad de Comunicación y Lenguaje
摘要：This aim of this artide is to ¡nquiTe into (he forms and possibilities trough which (he traces of (he trauma tic are insculped in rhe postdictatorial cinematographic narratives. We analyze rhe discursive strategies used in rhe film a Wall o/Si/etlce (Un muro de silencio) (1993) by Lita Stantic as an exponenr of a "politic of remembrance" which uses what we caH "icate memory". This notion implies a subjective form of rhe collective memory abour traumatic events which wiII he a characte ristic of rhe a rgentine cinema macle by women.
其他摘要：This aim of this artide is to ¡nquiTe into (he forms and possibilities trough which (he traces of (he trauma tic are insculped in rhe postdictatorial cinematographic narratives. We analyze rhe discursive strategies used in rhe film a Wall o/Si/etlce (Un muro de silencio) (1993) by Lita Stantic as an exponenr of a "politic of remembrance" which uses what we caH "icate memory". This notion implies a subjective form of rhe collective memory abour traumatic events which wiII he a characte ristic of rhe a rgentine cinema macle by women.
