出版社：Dipartimento di Lingue, Letterature e Culture moderne - Università di Bologna
摘要：The article presents a critical analysis of expography integrating the Holocaust Museum in Buenos Aires, this being divided into three parts: “Eichmann. Él vivió entre nosotros” ; “Imágenes de la Shoá, el Holocausto y sus resonancias en la argentina” and “Identidad: Retratos de testigos de la Shoá”. We discuss categories that comprise museography and historical context, during Nazism period in Germany, which promoted the exodus of Jews and Germans criminals to Argentina between 1933 and 1960.
其他摘要：The article presents a critical analysis of expography integrating the Holocaust Museum in Buenos Aires, this being divided into three parts: “Eichmann. Él vivió entre nosotros” ; “Imágenes de la Shoá, el Holocausto y sus resonancias en la argentina” and “Identidad: Retratos de testigos de la Shoá”. We discuss categories that comprise museography and historical context, during Nazism period in Germany, which promoted the exodus of Jews and Germans criminals to Argentina between 1933 and 1960.
