期刊名称：Contemporaneity : Historical Presence in Visual Culture
印刷版ISSN：2153-5914
出版年度：2014
卷号：3
期号：0
页码：50-61
DOI：10.5195/contemp.2014.80
语种：English
出版社：University Library System, University of Pittsburgh
摘要：As digital technology has transformed various aspects of our screen culture over the past few decades, we have been witnessing a disappearing boundary between photographic still images and cinematic moving images. An emerging in-between image has become increasingly prominent in this new image culture, which attempts to negotiate the grey area between stillness and movement. This in-between image, manifest in a variety of formats and media, points to an increasingly solid middle ground between the traditional divisions of still and moving images. This paper builds a conceptual framework for analysing this new type of image and explores both the roots of this emergent category before focusing on its contemporary trajectory as exemplified by the work of Adad Hannah, Hiroshi Sugimoto, Jeff Wall, and James Nares.
关键词：Cinema and Media Studies; Visual Culture Studies; Photography; Video Art;Adad Hannah; James Nares; tableaux vivants; photography; video art; moving image
