出版社：Universidad Distrital Francisco José de Caldas
摘要：The old idealistic conception of contemplation and artistic reception has been shaken by a strong desecration of modern art, which provides various forms of relationship between artist and audience-produced object. New forms of presentation and representation of works of art, make the concept of untouchability collapse and break the character of the interaction with what was presented. This article examines the changes that have occurred in the conceptof receptor of art in an era of techno-cultural globalization, which has produced a “new receiver” or viewer of art.
其他摘要：The old idealistic conception of contemplation and artistic reception has been shaken by a strong desecration of modern art, which provides various forms of relationship between artist and audience-produced object. New forms of presentation and representation of works of art, make the concept of untouchability collapse and break the character of the interaction with what was presented. This article examines the changes that have occurred in the conceptof receptor of art in an era of techno-cultural globalization, which has produced a “new receiver” or viewer of art.
关键词：Aesthetic contemplation;participatory interaction;aesthetics of reception;art market;user-consumer;museum;globalization;Contemplación estética;interacción participativa;estética de la recepción;mercado del arte;usuarios-consumidores;museo;globalización
其他关键词：Aesthetic contemplation; participatory interaction; aesthetics of reception; art market; user-consumer; museum; globalization
