摘要：This article is aimed at evaluating the discourse in paintings of the Holy Family made in the seventeenth-century Santa Fe. From the analysis of this set of images it is demonstrated the use of painting by the Catholic Church as a tool to configure an articulated society from families ruled by principles such as piety, chastity and mortification. The analysis is directly related to the problem of building a colonial subject whose physicality is modeled after the images of Christ, the Virgin or the saints.
其他摘要：This article is aimed at evaluating the discourse in paintings of the Holy Family made in the seventeenth-century Santa Fe. From the analysis of this set of images it is demonstrated the use of painting by the Catholic Church as a tool to configure an articulated society from families ruled by principles such as piety, chastity and mortification. The analysis is directly related to the problem of building a colonial subject whose physicality is modeled after the images of Christ, the Virgin or the saints.
关键词：Colonial painting, The Holy Family;Social control;Santafe;Seventeenth century;Colonial society;Church;Colonial religiosity;Pintura colonial;Sagrada Familia;Control social;Santafé siglo xvii;Sociedad colonial;Iglesia;Religiosidad colonial;Pintura colonial;Sagrada Família;Controle social;Santafé século xvii;Sociedade colonial;Igreja;Religiosidade colonial
其他关键词：Colonial painting; The Holy Family; Social control; Santafe; Seventeenth century; Colonial society; Church; Colonial religiosity
