出版社：Consejo Superior de Investigaciones Científicas
摘要：Through the commentary of “the pitcher”, one of the most important poems of Poemas a Lázaro (1960), studies the importance of androginia in Valente’s poetry and poetic. Taking the symbol from pitcher-song, Valente develops a sustained poetic theory in two fundamental concepts: negation and inmanencia. Both concepts lead to a poetry characterized by the fusion of semantic opposites like necessary step in the search of the poetic center. By all this, the impact in the Valente’s poetry of the opposition between essence/existence, realism/nominalism and relevance of the musical canon within the poetry of the orensano is analyzed. In this philosophical context, poetic and mystical, the poetry of Valente with the Taoism and the theory of the relativity of Einstein through a text of Ortega and Gasset is compared.
关键词：José Ángel Valente;androginia;taoism;“El cántaro”;vacuity;irony;negation;inmanencia;Knowledge poetry;Einstein;Ortega y Gasset;music;fugue;José Ángel Valente;androginia;taoísmo;“El cántaro”;vacuidad;ironía;negación;inmanencia;poesía del conocimiento;Generación del 50;Einstein;Ortega y Gasset;música;fuga
