出版社：Consejo Superior de Investigaciones Científicas
摘要：The renewal of the language of the musical at the turn of the century allowed for the development of new narratives in cinema through intertextualilty and parody. In Tano da morire (1997) and Sud side story (2000) Roberta Torre depicts a Sicily caught up in a process of transformation between tradition and modernity. Allusion to some of the stereotypes and clichés about southern Italy (the mafia, immigration, religion, popular music, etc.) using a postmodern narrative offers us a fresh view of Sicily, far from the traditional platitudes.
