出版社：Consejo Superior de Investigaciones Científicas
摘要：The term Eternal-Feminine , or Das Ewig-Weibliche , first appeared in the last verses of the second part of Goethe’s Faust (completed 1832). It, subsequently, became the subject of speculation and a riddle which scholars have been trying to solve ever since. The term gradually came to represent a cultural principle regarding the image of femininity and it reached its Romantic apex, in the 19th Century, when various female archetypes were fused into a singe heroine. The present article aims to explore Isabella’s character in Rossini’s L’Italiana in Algeri in the light of the principle of the Eternal-Feminine . Although Goethe was still in the process of writing the second part of Faust when L’Italiana premiered (1813) in Italy, the cultural principle of the Eternal- Feminine can be used retrospectively in the analysis of Isabella as the central female protagonist of the opera. A thorough reading of her character suggests an aesthetic approach that makes use of certain Romantic aspects of the Eternal-Feminine principle. The present article focuses specifi cally on the Cruda sorte! Amor tiranno! scene and briefl y refers to other scenes as well.
关键词：Rossini;Culture-related analysis;L’Italiana in Algeri;Eternal-Feminine;Orientalism;Italian history;Risorgimento;Rossini;Análisis cultural;La Italiana en Argel;Eterno Femenino;Orientalismo;Historia italiana;Risorgimento
