出版社：Consejo Superior de Investigaciones Científicas
摘要：Music as an explanatory model of the universe has been around since the very birth of philosophical thought. For Kepler, music and astronomy were homologated on the basis of a single geometric archetype, and so they could share their observations, theories and even emotivism. The historical conditions that enabled this interconnection are based on Kepler’s solid musical education, his interest in contemporary polyphony and, especially, by the music of Orlando di Lasso. Seen this way, a musical aesthetic experience, enabled Kepler set a framework of truths on which his theories could be formulated and contrasted, as can be read –and listen - in the same texts of Harmonices Mundi. Fundamental link to this essay: http://www.calderon-online.com/anuariomusical/kepler/
关键词：Kepler;science;mathematics;astronomy;planet;Lasso;harmony;polyphony;motet;durus;mollis;aesthetics;17th century;Kepler;ciencia;matemáticas;astronomía;planeta;Lasso;armonía;polifonía;motete;durus;mollis;estética;siglo XVII
