摘要：European greenstone lapidaries in Dunedin, New Zealand enjoyed a short boom as raw material became available from the gold mining industry and Europeans developed a taste for both traditional Māori and Victorian designs. In the process of recent earthworks two discrete assemblages of pounamu were recovered from a central Dunedin site. The manufacturing techniques employed by the European lapidaries and the markets they were servicing are investigated here. The assemblages were most likely cached and may have been a part of a grey market of ‘fake’ Māori artefacts. Normal 0 false false false EN-NZ JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:8.0pt; mso-para-margin-left:0cm; line-height:107%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-fareast-language:EN-US;}
其他摘要：European greenstone lapidaries in Dunedin, New Zealand enjoyed a short boom as raw material became available from the gold mining industry and Europeans developed a taste for both traditional Māori and Victorian designs. In the process of recent earthworks two discrete assemblages of pounamu were recovered from a central Dunedin site. The manufacturing techniques employed by the European lapidaries and the markets they were servicing are investigated here. The assemblages were most likely cached and may have been a part of a grey market of ‘fake’ Māori artefacts.
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