首页    期刊浏览 2024年11月24日 星期日
登录注册

文章基本信息

  • 标题:"In virga Aaron Maria ostendebatur". Nueva interpretación del ramo de lirios en la "Anunciación" gótica española a la luz de fuentes patrísticas y teológicas
  • 本地全文:下载
  • 作者:José María Salvador González
  • 期刊名称:Anales de Historia del Arte
  • 印刷版ISSN:1988-2491
  • 出版年度:2014
  • 卷号:24
  • 期号:0
  • 页码:37-60
  • DOI:10.5209/rev_ANHA.2014.v24.47177
  • 语种:Spanish
  • 出版社:Servicio de Publicaciones de la Universidad Complutense
  • 摘要:In clear disagreement with the conventional interpretation of the lily in the iconographic theme of The Annunciation –illustrated with great approprieteness in the ten Spanish Gothic paintings we discussed here—, this paper proposes two new theological explanations of such flower in this biblical scene. We rely for this on numerous and consistent exegesis of prestigious Church Fathers and medieval theologians on the prodigious flowering of dry rod of Aaron. Thus, basing ourselves in that perfect exegetical matching of Christian thinkers, which certifies in this issue an established dogmatic tradition over nearly a millennium, we try to show that the bouquet of lilies in the Annunciation scene shows two deep symbolism, Christological and Mariological, essentially interrelated, i.e.: that bouquet of lilies means both the supernatural human incarnation of God the Son and the Mary’s being virginal mother of God.
  • 其他摘要:In clear disagreement with the conventional interpretation of the lily in the iconographic theme of The Annunciation –illustrated with great approprieteness in the ten Spanish Gothic paintings we discussed here—, this paper proposes two new theological explanations of such flower in this biblical scene. We rely for this on numerous and consistent exegesis of prestigious Church Fathers and medieval theologians on the prodigious flowering of dry rod of Aaron. Thus, basing ourselves in that perfect exegetical matching of Christian thinkers, which certifies in this issue an established dogmatic tradition over nearly a millennium, we try to show that the bouquet of lilies in the Annunciation scene shows two deep symbolism, Christological and Mariological, essentially interrelated, i.e.: that bouquet of lilies means both the supernatural human incarnation of God the Son and the Mary’s being virginal mother of God.
  • 关键词:Medieval art;iconography;Spanish Gothic painting;Mariology;Christology;Patristics;theology.;Arte medieval;iconografía;pintura gótica española;mariología;cristología;patrística;teología.
  • 其他关键词:Medieval art; iconography; Spanish Gothic painting; Mariology; Christology; Patristics; theology.
国家哲学社会科学文献中心版权所有