出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：The image of the Cathedral of Jaén transmitted to us by artistic literature has enriched the vision and interpretation of the Temple over the centuries. The most unique of all sources, exponent of Baroque imagery, is the one that relates it to the Temple of Jerusalem. The architectural ekphrasis of the Cathedral of Jaén commences in the 17th century with the panegyric description by Juan Núñez Sotomayor, who explains the details of the structure and the building by means of precise allusions to the great solomonic work. Far from reaching its climax with the suggestive Baroque rhetoric, the repertoire of images of the major Jaen’s temple continues and heightens in unique exercises of ekphrasis until the present century.
其他摘要：The image of the Cathedral of Jaén transmitted to us by artistic literature has enriched the vision and interpretation of the Temple over the centuries. The most unique of all sources, exponent of Baroque imagery, is the one that relates it to the Temple of Jerusalem. The architectural ekphrasis of the Cathedral of Jaén commences in the 17th century with the panegyric description by Juan Núñez Sotomayor, who explains the details of the structure and the building by means of precise allusions to the great solomonic work. Far from reaching its climax with the suggestive Baroque rhetoric, the repertoire of images of the major Jaen’s temple continues and heightens in unique exercises of ekphrasis until the present century.
关键词：Cathedral of Jaén;Solomon’s temple;ekphrasis;Juan Núñez Sotomayor; artistic literature; architectural metaphors;Baroque imagery.;Catedral de Jaén;Templo de Salomón;ekphrasis;Juan Núñez Sotomayor;literatura artística;metáforas edilicias;imaginario barroco.
其他关键词：Cathedral of Jaén; Solomon’s temple; ekphrasis; Juan Núñez Sotomayor; artistic literature; architectural metaphors; Baroque imagery.
