出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：Speaking of «escritura escénica» means to show the pluricodic and plurimaterial character typical of theatrical events, as well as to describe the passage of the analysis from the text to the scene, that can be read like a tridimensional page of script. What we propose here is to relate all of this to the advancement of postmodern thought, especially in regard to the crisis of fundamentum thought raised by Lyotard and other philosophers such as Baudrillard and Vattimo. We observed that the same plurality operating in the contemporary scene works in other fields of knowledge, revolutionizing the way of conceiving knowledge, its transmission and above all the perception of identity. Postmodern thought represents a functional point of view allowing a practical analysis of the problematization of questions like the collapse of progressive as achievement, which has interested both the drama and the «performative » art, sometimes taking radical positions, such as the rejection of theater as representation.
其他摘要：Speaking of «escritura escénica» means to show the pluricodic and plurimaterial character typical of theatrical events, as well as to describe the passage of the analysis from the text to the scene, that can be read like a tridimensional page of script. What we propose here is to relate all of this to the advancement of postmodern thought, especially in regard to the crisis of fundamentum thought raised by Lyotard and other philosophers such as Baudrillard and Vattimo. We observed that the same plurality operating in the contemporary scene works in other fields of knowledge, revolutionizing the way of conceiving knowledge, its transmission and above all the perception of identity. Postmodern thought represents a functional point of view allowing a practical analysis of the problematization of questions like the collapse of progressive as achievement, which has interested both the drama and the «performative » art, sometimes taking radical positions, such as the rejection of theater as representation.
