出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：Science-fiction was developed in Spain at the end of Francoism. Chiefly, the authors used to write short-stories. The dystopia was the main subgenre practised in their creations. In spite of the dystopian critical potential, these writers did not manage to organise a strong project of disagreement. The value as critic literature from these texts was suppressed by the two dominant speeches, the official and the other represented by the social novel.
其他摘要：Science-fiction was developed in Spain at the end of Francoism. Chiefly, the authors used to write short-stories. The dystopia was the main subgenre practised in their creations. In spite of the dystopian critical potential, these writers did not manage to organise a strong project of disagreement. The value as critic literature from these texts was suppressed by the two dominant speeches, the official and the other represented by the social novel.
