出版社：Consejo Superior de Investigaciones Científicas
摘要：This paper presents a synthesis and a reflection on the circumstances of the performance practice of the keyboard music by Antonio de Cabezon in his time (the available instruments, common temperaments, keyboard technique and some refinements and primores of playing) as a model for our modern recovery of the works by Cabezon and his contemporaries with historically informed criteria.
关键词：Keyboard instruments;monacordio (=clavichord);clvicordio (=harpsichord);claviorgan;temperaments;articulation;buen aire;quiebros;redobles;glosas (=diminutions);Instrumentos de tecla;monacordio;clavicordio;claviórgano;temple;articulación;buen aire;quiebros;redobles;glosas
