期刊名称：Revista de Dialectología y Tradiciones Populares
印刷版ISSN：1988-8457
出版年度：2004
卷号：59
期号：2
页码：145-159
DOI：10.3989/rdtp.2004.v59.i2.131
语种：Spanish
出版社：Consejo Superior de Investigaciones Científicas
摘要：The continuous transformations suffered by flamenco have always been related to its interactions with many other traditions. What once was a local experience, although hybrid from its origins, was transformed into a chameleonic musical phenomenon able to produce new development while conserving a characteristic personality. The transnational flamenco progress started around the end of 19 th century. It is considered that its trips to America, especially those to the United States, were the most relevant to the phenomenon. However, flamenco artists developed their careers detached from its socio-cultural environment —and even from American cultures— in the new settings. Their isolation was twofold and favored specific ways to perform and experience flamenco. This new expansion gave transnational flamenco a distinctive and contemporary Kitsch touch.
