期刊名称：Revista de Dialectología y Tradiciones Populares
印刷版ISSN：1988-8457
出版年度：2011
卷号：66
期号：1
页码：229-240
DOI：10.3989/rdtp.2011.09
语种：Spanish
出版社：Consejo Superior de Investigaciones Científicas
摘要：At the turn of the 19th Century the camera obscura was a fundamental machine both in the design of early photographic cameras and in the continuity of ways of seeing. Thus, the groundwork for the advent of photography was laid during the Enlightenment; in terms of the objective —that of fixing an image of the visible world— there was no real break between the 18 th and the 19 th century. Closely related to the camera obscura was the ‘optique’, also known in England as the Zograscope. An international market for prints was established and the most successful images were views of cities and monuments. Among these prints there were those which depicted Spain.
