摘要：In this paper I explore the significance of dress as an expressive and performative genre within contemporary art in south eastern Australia. My aim is to build on and expand recent studies in cross‐cultural discourse to offer a broader, more inclusive framework for contemporary art practice in the south east grounded in dynamic Aboriginal cosmologies that demonstrate both continuity and innovation. Specifically I will examine two arenas of practice usually treated as separate domains: the revitalization of fibre seen in shell necklaces, baskets and possum skin cloaks – once worn or carried on the body ‐ and the appropriation by artists of items of colonial and contemporary dress such as blankets, trousers, knitwear and T‐ shirts. My research reveals how art, as a form of action, contributes to social and cultural sustainability by engaging with an Aboriginal landscape and a postcolonial world to imagine ‘cultural futures.’
