摘要：Feminism scrutinises the building blocks of culture and identity, seeking to explain how power relations—including those that naturalise gender inequality—are embedded in knowledge and practice. It illuminates the assumptions that shape understanding and exposes gaps in perspectives to generate more complex, inclusive and comprehensive histories and theories, creating paths to greater social justice and equity. Feminist critique has suffused the thinking of many disciplines, from anthropology and postcolonialism, to literary studies and indigenous history, and of course art history and art practice. For decades now, feminist art history and feminist art practice have honed the tools to analyse one of the most powerful means of narrating power relations and transmitting dominant values: our image culture.
