出版社：Consejo Superior de Investigaciones Científicas
摘要：The translation of a literary text to the screen is usually conditioned by many factors derivated from the new context in which the adapted title must work. Among these we can count the conditions imposed on the original text by the cinematographic genre serving as a model in the translation process. This paper examines the problem and analizes three spanish films of the postwar period in which the literary work experiments an important transformation to adapted to exigences of cinematographic model.
