摘要：AbstractCulture, as a sign of identity, becomes a contentious issue now more alive when creating a strategy more strongly integrated cultures. Cultural identities have become, contrary to these trends integrative elements beyond stereotype, structures considered “standard”, saying the multiplicity of cultural phenomenon, where the plurality of forms and cultures does not threaten anything universality. Recognition of cultural diversity as a phenomenon, but also as a process, involving value, historical essential condition of survival. Cultural entities, in all their the inner diversity demonstrates that universal as the key concept of the contemporary world cannot be understood outside the cultural analysis that structures, identity. Evaluation and enhancement of a specific ethno-geographic zones and areas, in our case that presented the works they submit to analysis, demonstrates once again that involves macro-history “local history” means universal and the particular cultural level, not as simple mathematical sum, but primarily as a historical value.
