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  • 标题:Film as Support for Promoting Reflection and Learning in Caring Science
  • 本地全文:下载
  • 作者:Ulrica Hörberg ; Lise-Lotte Ozolins
  • 期刊名称:Indo-Pacific Journal of Phenomenology
  • 印刷版ISSN:1445-7377
  • 出版年度:2012
  • 卷号:12
  • 页码:1-12
  • DOI:10.2989/IPJP.2012.12.1.6.1114
  • 语种:English
  • 出版社:s. Editorial by Dr Robert Schweitzer The first edition of a new electronic journal devoted to phenomenology raises two questions: why phenomenology and why the emphasis upon ..
  • 摘要:Caring science that has a foundation in ‘lived experience’ may be viewed as a ‘patient science’, in other words nursing has its starting point in the patient’s perspective. To support in learning caring science, the learning situation has to embrace the students’ lived experience in relation to the substance of caring science. One of the challenges in education involves making theoretical meanings vivid in the absence of actual patients. Written patient narratives and fiction like novels in combination with scientific literature are often used in order to obtain lived experiences as the foundation for teaching. Questions concerning how film can be used in this context to support the learning of caring science have recently emerged. The aim of this study is to describe how film as learning-support may boost reflection when learning caring science. The data was collected through audio-taped seminars, written reflections and group-interviews with students on basic, advanced, and doctoral levels. The analysis is based on the Reflective Lifeworld Research (RLR) approach which is founded in phenomenology. The results show how film as a learning-support enhances the understanding of the caring science theory, and provides a deeper understanding of the subject. Film can be very touching and provides support for the students’ embodied reflections. Hence, it is important that the students are encouraged to watch films from a caring science perspective. This requires a structure for learning-support related to the film, such as having a focus and purpose for watching the film, as well as support for follow-ups. The film itself does not create such support and guidance; instead, it must be combined with well-considered pedagogic thoughts on what learning is and how learning can be supported. The results are highlighted with the help of Maurice Merleau-Ponty’s philosophy of ‘the lived body’, and ‘the flesh of the world’.
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