摘要：“The strange thing about all these gestures, these angular, sudden, jerky postures, these syncopated inflexions formed at the back of the throat, these musical phrases cut short, the sharded flights, rustling branches, hollow drum sounds, robot creaking, dances of animated puppets, is that: through the maze of gestures, postures, airborne cries, through their gyrations and turns, leaving not even the smallest area of stage space unused, the meaning of a new bodily language no longer based on words but on signs emerges."
