摘要：Mannerism was the bridge between late Renaissance and the Baroque between 1520 and the 1600s. This movement was characterized by the destabilization of compositional elements through repetition and expressiveness, regardless of their function. This phase in history echoes a trend in contemporary architecture based on the repetition of functionless elements that constitute a ‘green aesthetic’ in detriment of sustainable systems. Ecomannerism is a conceptual vehicle to identify and evaluate iconic contemporary projects that are positioned between ecologies of practice and ecologies of symbols, which are directly related to the sustainable performance of the built environment.
