摘要：This paper investigates a vision of the underground environment associated with an aesthetic discipline. Its fundamental notion is sublimity, which was a phenomenon that involved a number of artworks engaged with changing the perception of the underground experience. This paper seeks to clarify how the idea of the living environment underground has changed by examining the works of writers, painters, and architects who have drawn inspiration from the concept of imaginary underworlds. Through a case study of the Chichu Art Museum, a representative underground space in terms of a sustainable relationship between architectural spaces and nature that could be experienced as sublime, this paper considers how to integrate visitors to distribute their awareness of artists’ work. It also stimulates visitors’ perceptions of a more sustainable future through sublime experiences, offering a way to understand underground integration with artworks. Therefore, this paper contributes to the knowledge of the relationship between architecture and artwork by increasing the aesthetic value of the underground space and considering how art intervenes in architecture to create a sustainable didactic.
