摘要：Analysis of Brazilian historical aspects, which bring to light the echoes of our colonialist heritage, whose heritage is presented as a fundamental element in the (de)formation of identity and, consequently, in the capacity of aesthetic-digital expression in contemporary times, with regard to (de) commitment to the development of critical awareness for self-governance. The 1990s in Brazil marks the transition from the analogical to the digital mind, whose transition process is intertwined in the fabric with our colonialist heritage, which is linked to the technological processes of production and “culturalization” regarding spectacularization and human exploitation. The main objective is to reflect on the answers and/or questions that are presented in the cartography of yesterday, today about the digital aesthetic that asserts itself towards tomorrow.
