出版社：Universidad de Los Andes / Universidad Complutense de Madrid
摘要：The purpose of this communication is to analyze how the voice of God is represented in the cinema and takes as a point of reference in Hollywood films. The interest is to contribute to the study of the voice beyond the circles of phonetic and linguistic specialists as a significant object and a character-voice (Chion, 2004, p. 29) in the cinematographic narrative as well as propose a methodology of analysis to think the voice in the cinema, from a qualitative perspective. The chosen model to analyze the sound language and, in particular, to describe the voice and the different sound signs that have narrative meaning in the film starts from the post-classic narratological approach proposed by David Herman (1999) and is based on audio-narratology his most recent discipline. In this way, the analysis carried out in the sonorous language used to represent the voice of God in twelve Hollywood films under qualitative variables allowed us to conclude that in spite of having detected different nuances there are conventions maintained through the years when its representation in Hollywood cinema is involved.
